The Amazing Race

Abstract: The Amazing Race is one of the most successful reality shows in American television history, and arguably no other program has spent so much time outside of the United States or introduced U.S. audiences to so many non-Americans. Jonathan Gray applies a postcolonialist critique to the show’s images and characters, finding plenty to criticize, while also pointing to moments that suggest the potential to challenge age-old images of crazy and exotic foreigners.

This essay may be found on page 165 of the printed volume.